LIFE LIBRARY OF PHOTOGRAPHY

Time-Life Internationalin julkaisemassa sarjassa ilmestyi 19 kirjaa 1970-luvulla. Kirjat käsittelevät valokuvausvälineistöä ja tekniikkaa sekä antavat ohjeita kameroiden ja laitteiden hankintaan sekä kuvaamiseen. Runsaasti artikkeleita valokuvauksen historiasta. Kirjoissa runsas, korkealaatuinen mustavalko- ja värikuvitus.

8 e. CAMERA. 1971. 236. Skk. ** . K3. Photography: An Art for Everyman; The Camera (The Four Major Types of Cameras, ym.); The Lens; The Little Black Box (From Camera Obscura to Instamatic; Cameras That Made History); Photography versus Painting (The Victorian Pioneers, ym.); On Making Better Pictures (A Talk With LIFE Photographers; Ten Personal Styles: Ansel Adams, Gjon Mili, Henri Cartier-Bresson, Irving Penn, W. Eugene Smith, Lee Friedlander, Diane Arbus, William Garnett, Hiro, Marie Cosindas). 22-23, 26, 61, 103, 216, 217.

4 e. CARING FOR PHOTOGRAPHS. Display, Storage, Restoration. 1973. 192. Skk. ** . K3.

8 e. DOCUMENTARY PHOTOGRAPHY. 1973. 241. Skk. ** . K3. John Thomson, Jacques-Henri Lartigue, Jacob Riis, Robert Frank, Diane Arbus, Lee Friedlander, Tom Zimmerman, ym. 56, 57, 80, 94, 95, 159.

5 e. FRONTIERS OF PHOTOGRAPHY. 1974. 2p. 202. Skk. ** . K3. Cameras in the Computer Age; Mixing the Media; Into the Third Dimension (holography ym.); A New Wawe of Abstraction, ym. 41, 131, 191.

5 e. LIGHT AND FILM. 1972. 227. Skk. ** . K3. Light and the Photographer (How Light Acts; The Electromagnetic Spectrum; How Filters Work; How Photographers Exploit Light; A Fresh Wiew in Reflections; Composition in Shadows, ym); The Evolution of Film (daguerrotype, calotype, wet plate, tintype); Photographing the World; Modern Film; Exposure: Key to Image Quality; Taking Pictures by Artificial Light. 76.

5 e. PHOTOGRAPHING NATURE. 1973. 234. Skk. ** . K3. Kuvaus-, väline- ja tekniikka-ohjeita sekä esimerkkeinä kuvia kasveista, eläimistä ja maisemista.

6 e. PHOTOGRAPHY AS A TOOL. 1976. 236. Skk. ** . K3, kannessa pari lievää kolhua. Mm. Photographs Through the Microscope (Pictures Made by Ions and X-Rays, ym.); The Small World of Manfred Kage; The Distant Made Near (The Heavens in Close-up; Bizarre Scenes from Underwater, ym.); Photographing the Invisible (Pictures Made by Heat, ym.); The Camera's Unique Wiew (The Laser's 3-D Pictures; A Musical Dance of Laser Light, ym.). 78, 106.

9 e. PHOTOJOURNALISM. 1976. 3p. 227. Skk. ** . K3. 18, 30, 32, 40, 60, 122

8 e. THE PRINT. 1973. 235. Skk. ** . K3. The Art of the Print; How to Develop the Negative; How to Print the Positive; Modern Masterpieces (Great Printmakers of Today: Brett Weston, Imogen Cunningham, Tony Ray-Jones, Harry Callahan, Mario Giacomelli, ym.); Images Created in the Darkroom; A Revolution in Printmaking (Masters of yhe Absurd; Far-out Prints of the Avant-Garde). 139, 160, 218, 222.

5 e. SPECIAL PROBLEMS. 1974. 3p. 209. Skk. ** . K3. 63, 142.

8 e. THE STUDIO. 1976. 3p. 236. Skk. ** . K3. Evolution of the Studio; Focusing on Fashion (De Meyer: Mannered Chic, Steichen: Master of Lightning, Hoyningen-Huene: The Classical Ideal, Beaton: Borrowing from the Stage, Man Ray: Experimenting with Patterns, Munkacsi: The Drama of the Outdoors, Frissell: Playclothes in Faraway Places, Dahl-Wolfe: A Sense of Color and Setting, Horst: Highlightning the Sitter, Penn: Cool Elegance, Avedon: Emphasizing the Bizarre; Celebrating Today's World; Sex in the Seventies; A Turn to Realism, ym.); The Studio at Home; The Studio on Location (Irving Penn's Neutral Ground, ym.), ym. 37, 115.

4 e. TRAVEL PHOTOGRAPHY. 1973. 228 Skk. ** . K2, nide yhdestä kohtaa auki, muuten hyvä kunto. 19, 54.

 

 
Edmund Teske: Untitled, 1939    Halsman: Two Women, 1958
[kuva] (The Print, s. 206)           (Light and Film, s. 152)


Ernst Haas: Volswagen in     Seasons Greetings, 1963    State of Liberty, 1967 [kuva
New Mexico (The Studio,      (Special Problems, s.183)   (Travel Photography, s. 209)
s. 40) [ kuva ]

 

  Street Scene, 1936 (Documentary Photography, s. 71)

  Edward Clark: Weeping for F.D.R., 1945 (Photojournalism, s. 32)

  (Photojournalism: s. 112 kuva, s. 113 kuva)